Saint Laurent Pre-Owned 1990s gathered detail velvet dress Made in France The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights Raven black silk 1990s gathered detail velvet dress from Yves Saint Laurent Pre-Owned featuring a straight fit, gathering details, a round neck, an invisible back zip fastening, long sleeves, elasticated cuffs, an over-the-knee length and a velvet effect. Please be mindful that this piece has led a previous life, and may tell its story through minor imperfection. Composition Silk 100% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.78 m wearing size 42 Product IDs FARFETCH ID: 14679411 Brand style ID: 130480

Mame Kurogouchi Fall 2025 ReadytoWear: Beauty in All Forms

Saint Laurent Eyewear engraved-logo Cat Eye Glasses Black

Versace Greca faux-leather sneakers Some of Versace’s most iconic house codes remain as relevant as when they were first introduced by the eponymous founder in the

Versace Medusa Biggie leather belt Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights black leather round Medusa head buckle gold-tone hardware punched holes adjustable fit Composition Calf Leather The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 17336261 Brand style ID: 1003760DVTP1

What is the common point between exquisite Japanese lacquerware, rice mochi and a contact lens flattened between the pages of a notebook? All three are equally interesting to designer Maiko Kurogouchi, who folded them into her ongoing exploration of shape influenced by the 1978 book titled “Nihon no Katachi,” or “The Shapes in Japan” in English. While the designer continued to build on her repertoire of sculptural shapes, there was nothing austere about them in the fall’s materials or fits. The curve of a bowl’s lip and its red-and-black traditional coloring turned into a color-blocked dress composed of jacquard and silk parts connected by gauzy lace. The way a mochi turns into a voluminous puff when grilled informed the pillowy volumes of padded coats that were equal parts comforting and ceremonial. Sensuality emerged from a pucker that ran down the back of a silk gown, skimming the body’s volumes without constraining. Meanwhile, 3D-knitted volumes achieved the visual oomph of exacting cuts with gentle yield better suited to everyday wear. You May Also Like Elsewhere, Kurogouchi referenced suminagashi, a traditional water-and-ink marbling technique at risk of disappearing in Japan, adding graphic oomph to intricate pleats and delicately dip-dyed fuzzy knits. As for those contact lenses, the delicate blue hue of their material was used in the color palette. Conversations with Kurogouchi can attune the culturally curious to her magpie approach to the world. But it’s her impeccable execution and eye for flattering shapes that turns them into devotees, no lengthy explanation needed. 

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