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CFCL Fall 2025 ReadytoWear: Eyes on the Trajectory

2025-03-13 00:35:04 source:Cardigan
From Mac Duggal, this dress features:Jersey fabricationBeaded round necklineLong sleevesGathered sash detailSide slitBack zip closureApprox. 62#double; lengthPolyesterSpot cleanImported.

CFCL Fall 2025 ReadytoWear: Eyes on the Trajectory

Becca By Rebecca Virtue Marble Canyon Soft Band Plunge Neck Halter Swim Top

Polo Ralph Lauren button-fastening long-sleeve shirt Known for a sophisticated, preppy style, it is continued on this classic shirt from Polo Ralph Lauren. Featuring a long-sleeve silhouette and traditional white hue, the garment has a timeless feel. Composition Cotton The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Machine Wash The washing method is subject to the commercial washing standard Wearing The model is 1.78 m wearing size S Product IDs FARFETCH ID: 19521608 Brand style ID: 211891422001

Ski Bottoms

For CFCL designer Yusuke Takahashi, the 10th collection of the high-tech knitwear label was a milestone that had him reflecting on “its starting point and trajectories,” he said before the show. In mathematics, that tends to define straight lines. But Takahashi took a more elastic view, inspired by “Lines: A Brief History,” a 2007 book by British anthropologist Tim Ingold that explores how lines of all kinds subsume everything humans do, from walking and singing to storytelling and weaving. That led the designer to trace backward all the way to his graduate collection when he discovered computer-programmed knitting, even enlisting sound artist Miyu Hosoi for a rhythmic soundtrack composed using the clicks and clangs of specialized machinery. But the fall collection was no greatest hits compilation. You May Also Like To wit, if the final dress was a seamless tube shape on paper, once on the model, it had all the form-fitting allure of a structured sheath and the nonchalance of a Fortuny-pleated number. Takahashi’s not one to plod a linear trajectory for long even if solidly desirable options such as voluminous but lightweight blousons made from curving milano rib knits or impeccable tailored trousers could keep the brand going steadily. The growing number of glamorous options such as filmy gowns in small-gauge yarns and more experimental pieces like a blazer that segued into a shimmering dress for a wholly novel take on the coatdress showed that Takahashi is only just started plotting the learning curve of what can be done with yarn and plenty of imagination.

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