From Maggy London, this gown features:Sheath silhouetteSequined mesh fabricationFloral motifIllusion sweetheart necklineShort illusion sleevesWaist seamZip back closureLinedApproximate length 61.5#double;PolyesterHand washImported.

Etro Fall 2025: Patterns Untamed

John Mark Mixed Print Satin Point Collar Long Roll-Tab Sleeve Button Front Blouse

From Antonio Melani, this one piece swimsuit features:One piece silhouetteV-wire necklineRemovable soft cupsAdjustable over-the-shoulder strapsCutout backLinedHook backNylon/spandexHand washImported.

Saint Laurent wedge espadrille sandals Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights black calf leather signature Cassandre logo charm open toe buckle-fastening ankle strap branded footbed high braided raffia wedge heel This piece comes complete with a protective dust bag. Composition Outer: Calf Leather Lining: Calf Leather Sole: Calf Suede The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 17556071 Brand style ID: 6886891ZJ00

During his tenure at Etro, Marco De Vincenzo has frequently describes his vision as “maximalist minimalism,” meaning showcasing the fashion house’s textile exuberance via sleek silhouettes and stripped-back layering more attuned to his language and modern times. His fall 2025 collection leaned more into the former term, though, as reading myths about the origin of the world let the designer’s imagination and ornamental impetus run loose. Inspired by the theme, he continued to investigate the origins of Etro, too, unearthing plenty of patterns to exalt with an untamed approach. “My work is like that of an archeologist: I discover, dust off and take [elements from the brand’s] legacy,” said De Vincenzo backstage, explaining that he titled the show “Etro Magma” “because it seems to me that this family has created an incandescent matter that self-regenerates with its strong codes, and I simply tap into different ones every season.” De Vincenzo didn’t hold back in conjuring a plethora of flashy prints of paisleys and botanical patterns, yarn fringes, sequins and furry elements. These blended with a wild, primordial force in a dense lineup paraded against an installation by Roman art collective Numero Cromatico that echoed hieroglyphs and prehistoric cave paintings with its graphic zoological motifs. You May Also Like Animal shapes were reprised in garments and accessories via embroideries developed in collaboration with South Korean artist Maria Jeon, while florals abounded on denim pants, corduroy separates and chunky sweaters that telegraphed De Vincenzo’s commitment to widening Etro’s daywear offering. The designer further emphasized thick jacquards, statement wool furs and frayed trimmings to convey a heavy tactile feeling that contrasted with billowing print dresses, form-fitting ribbed sets and glitzy flourishes that built on the overall ‘70s vibe. The same mood informed the men’s wardrobe via patterned duffle coats, painterly printed suits and monochrome options with a crinkled effect. Beauty Gallery 28 Photos View Gallery Despite the feast of print and texture, the best looks were the ones with a tonal approach to patterns. They showed that sometimes all it takes is just a sparkle.

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