Versace Kids Medusa Head-motif touch-strap sandals Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights medium grey smooth grain tonal hardware Medusa Head motif logo print to the side round toe touch-strap fastening branded insole rubber sole Composition Sole: Rubber 100% Outer: Polyester 100% Lining: Polyester 100%, Calf Leather 100% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 23837459 Brand style ID: 10154971A11710

Ujoh Fall 2025: Back to School

Jude Connally Hadley Long Roll-Tab Sleeve Point Collar High-Low Tunic

Saint Laurent colour-block high-top sneakers black/white calf leather colour-block panelled design flat rubber sole front lace-up fastening round toe Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Composition Outer: CALFSKIN Lining: Leather, Fabric Sole: Rubber The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 18520651 Brand style ID: 69079700NI4

PINKO logo-appliqué cotton T-shirt Highlights lilac purple/yellow cotton jersey texture appliqué logo crew neck short sleeves straight hem Composition Cotton The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Machine Wash The washing method is subject to the commercial washing standard Wearing The model is 1.78 m wearing size S Product IDs FARFETCH ID: 21781086 Brand style ID: 101752A150Y68

Anyone who wore a uniform to class will understand where Aco and Mitsuru Nishizaki were coming from. Ujoh’s designers looked back on their school days in the ’90s, and how kids played with details of their attire to express what little creative freedom they could. They drew parallels with trying to push the boundaries of Ujoh and further define the label’s creative vision within their specific design vocabulary, which is built around precise pattern-cutting, Mitsuru Nishizaki explained through an interpreter backstage before the show. The theme offered a playful backdrop for Ujoh’s creatively layered and asymmetric tailoring, made from wool gabardine or brushed flannel twill this season, the latter for a time-weathered look. The Nishizakis’ familiar tab-fronted or cropped suit jackets, in uniform shades of brown, gray and navy with touches of lime or sky blue, were paired with layered half-skirts or short pants. There were hybrids between a suit collar and a sailor neckline with long, sleeve-like ties, mid-length pleated skirts and rugby sweaters worn several sizes too big. Legwarmers were styled like droopy socks, and quilted winter jackets were evoked in blanket-like skirts in shiny recycled polyamide. The only pattern in the collection this season was a black flower embroidered in repeat on a white bias-cut skirt, intended to symbolize tulip bulbs traditionally given to schoolchildren in Japan so they can learn to nurture them through the seasons. A textured jacquard was woven by hand with ribbons and hand-cut threads, reminiscent of a fake fur thrown on casually, a blue shirt sleeve exposed underneath, for instance. A deconstructed black shearling aviator jacket, open at the shoulders, was a strong outerwear statement. For the finale, the models emerged chatting and laughing to sit on vintage classroom chairs placed in the middle of the runway, enhancing the sense of youthful insouciance with a touch of rebellion.

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