From Alex Marie, this bralette features:Fabric smooths, sculpts and supports4-way stretchChlorine resistantSPF protectionBanded triangle halter necklineRemovable soft cupsLinedPull-over constructionNylon/spandexHand washImported.

Marie AdamLeenaerdt Fall 2025: Shades of Grey

Polo Ralph Lauren Club House Blazer White

Versace Kids Barocco Sangallo floral shirt Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights white cotton all-over tonal floral print perforated design round neck with gold-tone logo plaque Medusa Head motif pleat detailing to the front short ruffled sleeves flared straight hem full lining concealed rear zip fastening Composition Cotton 100% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 22531594 Brand style ID: 10136451A09675

Saint Laurent Eyewear round-frame glasses Made in France The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights fuchsia pink acetate round frame clear lenses straight arms curved tips All glasses from FARFETCH are sold as non-prescription frames. These glasses come with a protective case. Composition Acetate The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 24737614 Brand style ID: SL589

Marie Adam-Leenaerdt wants to break down walls between object and fashion design. Fitting then that she held her show in a furniture gallery, with models walking among lamps and art pieces swaddled in felt and tape as if to be moved or stored. Her collection was a study in structure, centered on the sloping shoulder shapes she has developed as her signature on coats and jackets. Her take on volume goes against the archetypical grain and resulted in skirts jutting out at the waist as if suspended on a hanger, necklines extended as curtains draped on a rod, and other slightly surrealist plays on shape. Yet for all that, architecture pieces were supple, in soft felt and shades of gray. Dresses had back zips to change shape or play peek-a-boo, depending on one’s mood; coats closed with craftily hidden buttons, and knitwear featured changeable collars for a V-neck one day, a turtleneck the next, broadening their appeal. Adam-Leenaerdt crafts her pieces to be pliable. The Brussels-based designer is obsessed with functionality — and frugality — on the path to a more sustainable fashion model. “When you buy an expensive piece, it’s important that the piece lives for many years, in many locations, for different people,” she said. “It should have multiple lives, so we produce less.” You May Also Like Breaking up the mostly monochrome and subdued palette were pops of bright color, including a sunflower yellow dress and leopard print trench, while her oversize zippy totes complete the package. Elsewhere she played with rounder shapes. Adam-Leenaerdt has long looked to tables as an inspiration — her debut collection was based on the cocktail kind — and interspersed her long-line cuts with rounded hoop dresses decked out in a bright floral tablecloth print that could have been pulled from any grandma’s closet. They weren’t real in the end; instead they were printed reproductions of her favorite Vinted finds living their next life.

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